the mighty d knox graces sect with a second ep, >looking through your eyes<.
>at the beginning< is a journey in the way good techno tracks should be. a low-slung groove forms the foundation as strings build, creating composite chords then descending into darker territory.
>if i never knew you< continues the unique and oh-so-delicately balanced melodic sequences, while >out there< is straight up techno funk of the first order. if these guitar licks dont move ya on the dancefloor, you have problems we cant help you with.
>on my way< is a gift for the more experienced techno dj. tricky beats work to create something like a latin shuffle, rounded off by a sonic mind manifesto vocal.

split over two vinyls to ensure maximum sonic quality and complete with beautiful hand drawn illustrations from yuko kondo (directed as ever by our own peter saville, phantom), it picks up where hands of love left off

after a string of fresh remixes, including a great one for the homewreckers here on circus, dave aju offers this two-track side project treat while we await his next album. picking up where he and the invisible art trio left off, and adding another member, we are proud to present thèse unique cuts by mr. aju and his new sol percussion ensemble.using a single percussion instrument for each track, aju and the ensemble bring a raw acoustic and upbeat live jam session vibe to the proceedings on “vibra” the scene shifts to day, as an unabashedly sunny feeling builds up into a sort of loose latin jazz/house interpretation of bob james’ “spunky, filled with refreshingly fun instrumentation and vocal accompaniments- it’s that vibe! . “flexa” starts off with a strong rhythm base, then takes off into the night as warm bass tones and vocal scat chants alternate over the course of this future-meets-primitive hypnotic groover. both tracks reintroduce some playful sonic alternatives to today’s more discerning dance floors, and with the diverse background of aju and his fellow sf bay area ensemble members, there’s plenty of soul and sol, just in time for summer.

repress, including download coupon!
lover. fighter. prophet. freak magnet. time-traveler. musician, photographer and designer jimmy edgar is a wayward prodigy streaking across the cosmic dance-floor. in 2001 at the tender of 18, his hyper-sexed microchip stylings caught the ear of warp, where he cranked out his brand of amped-up laptop funk for the next eight years, culminating in the full-length classic >color strip< (2006). now 26, edgar is shaking things up at !k7. on new turf, edgars sonic prowess takes on a leaner, more radio-ready shine and what edgar does essentially and very well is make your body move.

for release number 5 well rounded goes deep with the debut release from donga & blake.
label owner donga met blake when both djd at brightons forward thinking drum n bass night carbon spinning similar shades of the deeper end of dubstep. this lead to the idea of hooking up in the studio, and whilst initial experiments at 140bpm were promising, it wasnt until they decided to lower the tempos to housier speeds that their sound clicked into place. this sound is a balanced fusion of soulful house, deep textured techno and rhythms absorbed from garage, funky and broken beat. these 3 immaculate tracks have a simple appeal but also contain many layered sonic details for the closer listener.

supported by: troy pierce, camea, par grindvik, ambivalent, alexi delano, someone else, dustin zahn, paco osuna, dubfire, paco osuna, ellen allien, chris liebing, butane… lurking far below the surface of the ocean, the mysterious viperfish swims in solitude from any signs of human life. dwelling in the dark, cold waters, he waits patiently and lures his prey in with a light producing organ, attacking at an astonishing speed. this fish is considered to be one of the most unusuallooking and fascinating predators of the deep blue sea. he is a born hunter, a misfit, and yet his intricate design is beautiful and intriguing. this is the beginning of the story. tim xaviers first full-length work, titled viperfish, is a meticulous assortment of live studio recordings, deep ethereal techno cadences, and fun, driving dj tools.

ahhhh, mr mark e. arguably the leading light in the resurgent obsession with all things disco and slo-mo, convincing über tastemakers like giles peterson, as well as countless weekend warriors with his sonic sorcery. conjuring up edits that were so much more than edits, dropping smash hits like the janet jackson rework on golf channel, and the magnificnet womack & womack re-do on jisco, and more recently becoming remixer du jour as well as crafting equally impressive original music, not to mention kickstarting this, his very own imprint! >special fx< weaves snatches of mid-eighties magic into a lengthy groove-out with that patented mark e throb, whereas >christo< drives us down a decidely more detroit bound freeway, sounding as it does like carl craig remixing prince, well. you dont need us to tell this is the real deal folks!

58 minutes of alienated, global sound oddities. mixed by dom thomas (b-music/finders keepers). following on from the highly acclaimed ‘miscellaneous mutant mishaps’, b-music and finders keeperslinchpin dom thomas digs deep into his library of forgotten and unloved sound oddities. blurring the lines of mixtape and original composition, this is an explosive mix of denizen funk, psyche rock and proto house, effortlesly crossing boundaries and uncharted sonic soundscapes, defying genre classification. check!

stalwart is bringing you fresh blood for its 17th release. el prevost aka lincoln prevost, is a london based producer who started is carreer in music as a sound engineer at londons matrix studio. becoming a big fan of the underground house scene through the years, he decided to start making music, looking for new directions in sound shaping and manipulation to produce strange new sonic elements and radically altered drum patterns. once again, a great package for you to choose from!
early dj support from: danny krivit, dj spinna, rocco, jellybean benitez, marlon d, aaron ross, ralf gum, master kev, jihad muhammad among others.

earwax is very proud to present this huge 12 inch from >purple trinity< producer gemmy, guaranteed to cause serious sonic pressure on a dancefloor near you! >maroon chant< is possibly one of gemmys biggest tunes yet, a carefully crafted dancefloor monster brim with catchy purple melodic synths and heavy weight bass. the intro leads in with a looped tribal chant as the pattern is sucked into rolling snapping percussion before the squelching, ever-evolving bassline drops. the track build and flows effortlessly maintaining high energy levels throughout. big tune. flip then for >last 3 digits< ? the title being a reference to pirate radio shows where the host refers to callers by the last 3 digits of their phone number. >let me have 1 caller for the rewind<. heavy hitting rave stabs punch out the catchy melody here before the track switches up into a grimey beat and even grimier bassline. quality rave music.
dj support from: joker, roska, pinch, mary anne hobbs, guido, ginz, reso, baobinga, appleblim, peverelist, rsd, plastician dusk & blackdown, and many more..

very limited white label. rmxs 005:the 5th in the series sees silver (accidental heroes and sonic and silver) deliver his interpretation of >jonny jungle< the original tune was from 1994 and was a huge hit back then! dj silver bring new life to the track as he brings it up to date? this has had massive support from all the heads in the scene. the flip is work done with good friend and fellow producer lutin from france, as they come with a soul infused number called >i choose you< which was a hit originally by >wille hutch< this tune is defo one for the summer time ladies

catcalling from the depths of a city seen from the outside as crumbling, sonic grooves carve a path to the soulful detroit duo known simply as the oliverwho factory. first noticed across the primitive music sharing plateaus of a decade past, the oliverwho factory quickly gained notoriety overseas with a glasgow based distribution, and a keen sense of product importance, releasing rich, mood-driven tracks on vinyl, inspired by and resonating the roots of rock, pop, jazz, and r&b. earth near-silently stumbles with the distinct yet mysterious, funk laden blend of house and techno that oliverwho and shonie c. so naturally provide. like stepping into dreamscapes of unknown desire, the obscure flavor of owf s tunes keeps unconventional beauty and otherworldly adventure at the forefront of this duo s detroit-based soundboard.

groove charts # 3 !!! >sex ×technology = the future< ( jg ballard) wires are the arteries of the modern world, connecting and supplying practically everything that defines our lives. we channel our desires like an electrical current through our machines. musically, the concept is about drawing together the different strands, from techno and minimal to house to ambient and experimental. there is a common thread that runs through these different genres, linking them like the roots of a tree. this diversity is what keeps everything fresh for me. the >raudive< project explores techno and minimal, further releases will feature >atlas<, a new project created by myself and co-producer tommy gillard which moves into more detroit house territory. later there will be music from >zov zov< music that references pan sonic, coil and sunno))).

a new name appears in the hispanic techno scene: architectural, label and author, all in one. but who is the mind that draws the plans with this new pseudonym. we still ignore it, but this one, who has wanted to give free rein to the creativity that beat under his skin, has sculpted the first tracks that you will be able to listen, from a solid matter base composed by pure sonic techno with minimalist touches from chicago, with detroit streaks and forged alloy derived from the most genuine soul.

chaim, the sound architect from tel aviv, is slowly but surely taking his place amongst the bpitch residents. the specialist in sonic witchcraft is keeping us in regular supply of 12inch insights into his fine art.

die erstver®ffentlichung der langenj?hrigen losen zusammenarbeit zwischen dem gitaristen und s?nger von sonic youth lee ranaldo, jim o rourke und dem deutschen experimentalk?nstler christoph heemann.
listen to the words fall apart as christoph heemann deconstructs lee renaldos recitation of >bloomington indiana?<, then flip the disc and hear heemann and jim o rourke work a little bit more space into the mix with >autumn<. like the space cowboys they are, streamline rides again!

limited to 200 copies, vinyl only!! abstract forms brings you another slice of fine quality electronic music. derrick may describes him as >a very accomplished musician<, and he is not wrong. . . please welcome the very talented louis haiman. the formless ep features 4 tracks of wonderfully thoughtful and sublime electronic music. from hypnotic detroit influenced techno to slow outer limit electronics, this ep oozes buckets of digital soul thats carefully designed to take you on a sonic journey, it will free your mind. featuring 2 new exclusive tracks and 2 tracks from the >life after people< lp that was previously only available as a digital download, this ep will no doubt please all the vinyl lovers amongst us..

nice price deal !!! this second release from glasgows fortified recordings is a departure in sound from their first acclaimed ep by dundees loops haunt, but all the same in attitude. iranian born, texas residing garagesmith vvv uses his late night musical tests to forge and perfect his sonic output, and deploys a range of techniques not normally found in the often formulaic world of garage and dubstep. this patchwork quilt of laced beats, field recordings and intensive sample editing has made manifest a four track ep that simultaneously references the work steve gurley, todd edwards, carl craig, my bloody valentine, the cocteau twins and roy davis junior via the bastardised strains of 2-step and house practiced by the likes of ramadanman, untold and joy orbison, peppered with that magic elusive el_b swing that only the greats are able to achieve. at the same time familiar yet different (how many times have you heard that?), the four tracks on projects kick with the intensity of the best club music and invokes the cosmic spirit of classic motor city techno with an uplifting and deep soulful vibe that reveals layers of orchestrated natural sound upon repeated listens. in other words, its sexy as fuck. slated for an official release early march , one can only assume this limited 12inch will fly off the shelf much like fortified s inaugural release did

wurst kicks off the new decade with reade truths auspicious debut for the label. the longtime techno vet - he of strictly rhtyhm and sonic groove pedigree - turns in quite the heady offerings. >lets go to heaven< is a brooding, electro-fueled, and dare we say, sleazy affair. perfect for building the night up or taking it down, horizontal dancing style.

the needle-drop fuzz that cues sam amidons fourth solo album of songs, i see the sign, raises the curtain on a world of little theatres, foretelling of an aural gut-grip that is fully human and wholly natural. amidons intuitive and often radical reworkings of age-old secular ballads, gospel, folk songs, and hymns render familiar characters new through his direction, vision, vocals, banjo, guitar, and stellar contributions from fellow musicians. stylus magazine raved that amidons sophomore solo album, but this chicken proved falsehearted, was >the most interesting folk album of 2007<. in 2008, bedroom community debuted his third album, all is well, which garnered mediaenthusiasm as a >a goose-bump-manufacturing sonic piece de resistance< (cmj new music monthly).

theres something brewing down at dumb-unit and this time its in the venomous form of a cobra sun. legend has it that the cobra sun is a sun so fierce that a man can only face it at the crack of dawn. only at this point can one survive its monstrous wrath. whatever the truth may be, what is certain is that a new legend arises with pheroxs moving interpretation. a massive journey full of dynamism and extremes the cobra sun is yet another notch to be carved into dumb-units sonic bed post.

luxury reissue of long lost 1993 pre-pan sonic techno classic with original track listing - essential must have!

a new name appears in the hispanic techno scene: architectural, label and author, all in one. but who is the mind that draws the plans with this new pseudonym. we still ignore it, but this one, who has wanted to give free rein to the creativity that beat under his skin, has sculpted the first tracks that you will be able to listen, from a solid matter base composed by pure sonic techno with minimalist touches from chicago, with detroit streaks and forged alloy derived from the most genuine soul.

the united kingdom and new zealand unite on the latest get digital release, as tim green and emerson todd team up for two tracks of trendy tech-house. both of these guys had a splendid 2009. tim with his releases on dirtybird and emerson providing a contribution to get digital, at the end of last summer. their initial collaboration came in the form of exercise, which popped up on a compilation from sven väths admired cocoon label. make meis driven by crisp and tight beats that one would expect from these two producers, before tumbling into a 1920s speakeasy jazz drum solo. a flurry of vocals shoo off the drummers as the beats takeover again with an intensified energy. after all that dancing, you will surely need some foot treatment. that is where nail clippertakes over. a sonic pedicure, to easy your tired toes? not quite

at the core of every contented family is a sense of balance, an emotional push and pull that helps stabilize the entire unit. a similar equilibrium anchors le loups second album, family. recorded in a remote cabin and a maryland basement, the record finds the middle ground between tribal rock, freak folk, and sonic experimentation.

sistrum steps into 2010 in proper fashion, as patrice scott brings forth his latest sonic artwork in the form of the distance against time ep. picking up where his acclaimed excursions ep (sis010) left off, the three cuts featured here forge ahead into the depths, rewarding those with a conscious ear for quality electronic sounds. check!

teaser 12 inch for dead faders album >corrupt my examiner< to be released on 3by3 in march. these faders are anything but dead - sonic riot ahead!

warning! this material contains explicit experience of heavy industrial sonic pressure by jason little. some listeners may be shocked or it may provoke inappropriate panic confusions after listening whole album. control the little man - is offensive and it s being handled only to highly skilled djs. datablender records advise you to consult with your sound engineer before putting needle on the record.

classic hardcore tracks reloaded!! double 12inch!

arms goes japan! on the seventeenth cut we present a mindblowing japanese line up, which will take you straight to the land of the rising sun. we welcome the talented newcomers asagaoaudio and kyoudai itsumo, both part of the new wave of japanese industrial techno producers. beside fresh blood we also present some experience on the black gold. takaaki itoh and go hiyama have been partners in crime on stage for a while now and its about time they share the same vinyl on arms. prepare for some cutting edge, razorsharp dark metallic rhythms and sonic structures straight from japan.

the waiting is finally over! after all the ups and downs of the past year, we can happily report that joshua eustis now firmly intends to continue telefon tel aviv as a solo project. in order to mark his decision with a bang, thewonderful title track >immolate yourself< is being released as the second single from the current lp. the song has been entrusted to highly acclaimed and diverse remix artists who have skilfully stripped down the epic album track to more club-friendly formats.
the a side is delivered by label-mate thomas muller, whose finely detailed techno soundscapes can now be enjoyed on five bpc 12 inch releases. his >immolate< remix takes a much more direct approach. he reduces the lush arrangement of the original to a powerful basic framework, leaves out the vocals almost entirely, and creates a surprise when the track crumbles into sonic chaos towards the end.
miss fitz aka maayan nidam has had singles released on labels including raum musik and freak n chic, and these have been remixed by renowned artists such as ricardo villalobos. her version of >immolate< also makes a clear break from the album track and serves up her very own brand of abstract, dancefloor-friendly house. once again, all the opulence of the original is thrown overboard, a dry beat is placed at the centre of the arrangement and enriched with sinuous vocals.
ben klock needs no further introduction - he is the epitome of the bleak, hard minimal sound. his album >one< is currently available on ostgut ton, and as a remixer he has earned the highest acclaim for his version of depeche modes >peace<. bens >jack mix< is fittingly titled and lives up to all the expectations of the name. the track is stripped back to a resounding, hammer-like beat framework - minimised for maximum effect.
bpitch legend sascha funke delivers a surprise with another astoundingly reduced remix, at least by his standards. he turns away from the melodic richness of his current album >mango< in favour of repetitive fragments and an extended arc of tension which will surely make his >immolate< remix a massive after-hour hit.

as the third single released in anticipation of scott hansen’s long-awaited full-length as tycho, “coastal brake” may be the best yet—a sweet slice of dream-beat that glides over the ocean surface like a high-speed waverider. “coastal brake”’s vintage synthesizers set the pointillistic scene, blipping and popping around a near-balearic rhythm like melancholy drops in a river, rising and falling and building to a shimmering climax. it’s not quite dance music—more like tycho’s soft-focus take on the escapist beauty of house music. the single’s three remixes do the original ample justice. danish producer (and syntaks collaborator) manual takes “coastal brake” at half-time and shoots it full of feedback, bringing a scorched-earth weight to the proceedings, while hatchback’s “cosmic caviar dub version” turns down the contrast and places the song in a cave full of drugged-out pianos. lusine hacks up “coastal brake” and repurposes the bits for his own stutter-stepping, downbeat funk. listen closely, and you’ll hear shards of “coastal brake” sparkling in between the beats. limited edition (1000 copies) of tychos >coastal brake< on 180 gram vinyl including alternate artwork poster. tycho is the music project of san francisco artist and producer scott hansen. as tycho, hansen blends swirling melodies into vaguely triumphant arcs that crisscross between stuttering beats and vocal samples, creating rolling sonic landscapes that extend into the horizon. known in the design world as iso50, hansen is famed for his bucolic, sun-drenched design style, which serves as a backdrop and mirror for his musical output.

multi-platinum producer, prolific hit-maker, and sonic innovator timbaland will release his third solo album, entitled timbaland presents shock value ii, on vinyl lp, on december 8th, 2009, on mosley music group/blackground records/interscope records. the album is the follow-up to the super-producers multi-platinum 2007 album timbaland presents shock value, which spawned three no. 1 pop singles, the grammy-nominated >give it to me< (featuring nelly furtado and justin timberlake), >the way i are<, (featuring keri hilson and d.o.e.), and a remix of onerepublics multi-platinum blockbuster >apologize< (one of the best-selling singles of the decade).
on shock value ii, timbaland re-maps the pop/r&b landscape by batting away genre boundaries once again. his prodigious influence and ability to stay ahead of the curve have meant that a wide range of todays most popular artists are eager to participate in the shock value series. this second iteration features guest appearances from justin timberlake, katy perry, miley cyrus, the fray, chris daughtry, nickelbacks chad kroeger, brandy, drake, and keri hilson. in addition, timbaland asserts the wide-screen sonic adventurousness that has led the virginia beach native to dominate the pop charts for more than a decade.

the new strike on the enter label comes by pierre deutschmann and contains mixes by bjoern nafe, lars wickinger and timo huehner!!! this one is phat!!!! support by andy kohlmann,ascii disco,tolis q,frank sonic, homebase, timo jahns,bjÖern stolpmann, dj misk,glanz and ledwa,black vel, blood and tears, edgar de ramon and richie hawtin!!!

the voice of the people has spoken. italys independent outlet archive records and french distributor discograph have teamed up in order to deliver deep electronic sound – a sonic eccentric house affair now on vinyl, previously only available on cd.

bolz bolz comes back at your full steam with this new release of ramped up crunchy dirty break beat waver. this is some of his best work yet with >lift going up< setting the tone of what is to come. bolz bolz has come along way and in this lp he really creates a new universe of sonic wonder.

vivace is a project of stephen hitchell (cv313, echospace, intrusion) and is a unique hybrid of deep house, dub, jazz, & soul, a sort of new school/old school fusion which pays homage to chicago house heroes like chez damier & ron trent in their prescription era but with a modern twist. this project is the continuation of his previous soultek material initially featured on germanys force tracks & force inc family of labels back at the start of the century. the title track in its original form is a sub-aquatic journey through space and bass, as deep as you would come to expect from an echospace production but the sound palette has changed, shifting into a world filled with ambience and free form jazz. the use of live instrumentation & vocals are a driving force behind this project and add a depth and soul oceans deep, its like melting in sonic butter. the soultek mix is a frenzy of edits, funked up and sounds like it could be a schizophrenics take on house music, brendon moeller dives deep into soul, shifting and morphing the original into a proper late night house jam you could only imagine derrick carter or theo parrish dropping at the wee hours of the morning. the closing intrusion mix gives the original a frosty lime green haze best absorbed while inhaling, real trippy stuff. this first release has already earned countless play from francois k and in its inception (as soultek) was hailed as >jacks echo -- the future sound of chicago< by de-bug magazine, germany

marco bernardi was an obvious choice for who got to do the first album on frustrated funk. representing his most delicate compositions ranging from freaky minimalistic electro trickery to the sweetest and intense excursions in the field of what they use to call intelligent techno . we simply picked out his best moments along the line and put it all together for this brilliant presentation. with this piece of art we show again that we don t give a shit about new styles, trends and hypes. we just want to deliver a very sweet package that you will still be playing and cherish in 15+ years from now. this deluxe double vinyl album will be sweetened with hand stamped label art, hand made screen printed sleeves and pressed on pretty pink transparent vinyl to make this package extra special. enjoy!!

sebo ks last release on mobilee, diva, was a hit, and one of mobilees most popular tracks in 2008. since then hes primarily stayed under the radar, popping up only momentarily to release a track on cecille in july of 2009. with his new release spirits, sebo returns not only to mobilee but also to the sonic tropes that propelled him to success in the first place. undulating melodics that stretch like rubber bands, a funky bass line, and a jacking house beat: within the first few seconds of hearing spirits one immediately recognizes the slew of sounds with which sebo k made his name. the track takes its time to build as well, riding the groove for a bit before bringing a singular, high pitched note into the picture. as it continually gains momentum and rises in intensity, the captivating sounds of a piano arrive, adding yet another layer of familiar and hypnotic melody. all the tracks components merge seamlessly, with percussive accents here and there until staccato strings make a dramatic entrance, fluttering and dialogue with the rest of the tracks components. by the end of the track, the piano has gotten back in the drivers seat, steering the track along it s course. the drum version builds off the vintage house sounds of the a-side but substitutes extensive percussion from max moya for the strings and piano

timeless dancefloor fire gets a timely seasonal release on this exclusive double 12 inch pack. its the first compilation of artists from the desolat family - and its a manifesto of sorts, showcasing the different facets of the desolat sound. these artists, in their own ways, unpack multiple meanings of house & techno to create unique tangents. munichs tini steps out with her debut release: a staggered, raw dance track representative of her electrifying, wired-up dj sets. its the first solo outing on desolat for studio guru martin buttrich: his sensitive manipulation of delicate sonic quicksand underpinned with an insistent beat. argentine muso guti drops his second release on desolat, contributing chipped down spatial melodies following his first 2x12inch on the label, las cosas que no se tocan. loco dice brings his hip hop roots via heavyweight bassline and disembodied groove to truly shake up the house and overturn expectations. shimmering swing is the thing for romanian duo livio & roby featuring george g as premiesku, enunciating their very own definition of dance. lastly, desolats african-italian man yaya develops his sound further - displaying his musical upbringing with a punchy effusive get-up-and-dance vibe. its a fine way to end the year - six glimmering tracks wrapped up on desolats very special 10th release!

played by: andreas henneberg, ascii disko, franco bianco, frank sonic, homebase, kiko martinez, oliver klein, paco osuna, patrick bateman, stephan bodzin, sweet n candy, tim green ...
awesome work from the big french newcomer leghau with a great remix package that includes greg delon, citizen kain & phuture traxx and bjoern stolpmann remixes.

after martin landskys last bomb on poker flat, man high, he comes back faithfully with we are streaking, a tasty two-tracker rich in classic landsky synth-work, deep moody melodies and forward pushing energies throughout. title track we are streaking sends a warm pulsing sonic charge right to the core. rushing, phasing and casually dramatic, an insistent synth theme revolves at the heart of this timeless slice of driving electronic house. characterised by landskys experienced produciton hands at the controls, its a slow tweaking, extended cut that will take you back whilst keeping your body very much in the here and now. the sharp post-electro swagger of personal decay punches in time to the heartbeat of a generation. taking inspiration from those adrenal, early days of rave, landsky combines modern, fi nely tuned electronics with raw, dubbed and funked passages of killer proportions. once again a perfect driver, in classic style martin shows off all angles of his love for the beat.

one sided, white paper inners and black spined outer sleeve limited to 300 stamped copies! re-imagined and pushed into exciting new sonic territory by belgiums mugwump. - very beautiful, will play this for sure michael mayer (kompakt)

restoration records highly awaited eighth release is the most powerful sonic weapon to face up this hard times. captain power and the soldiers of the future will lead the riot of the machines in order to restore the analogue kingdom. humans and machines, blood and fire, souls and transistors are operating together to fight the conformism and the loss of values imposed by the mass communication of this post-industrial era.
third side is the new operative group of restoration, formed by marieu, lucretio and by resident dj of panorama bar steffi (klakson/ostgut ton). >ready to dance< is a dancefloor disco-bomb, funky and sexy but minimalistic at the same time. very essential in its build-up, its bass line is addicting and relentless and its bass drum is powerful. we are ready to dance, its time to jack!
analogue cops >chamber< is a strong dark track in which a massive 808 drum explosion runs together with an ultra-pitched down voice sample. rushing percussions, piercy hi-hats, a breathless progression. an experiment which turns into a solid club tack.
on side b, >still me< represents lucretios vocation to neoclassicism. the time disappears and a gospel organ full of motown reminiscences reminds the most soulful works appeared on planet earth. dramatic and sweet, its evocative and hopeful. lucretios track on rst006 appears on tama sumos >panorama bar – mix cd<.
>mauzy< is marieus deepest track on restoration. beat-down smashing 909 drums, punchy snares, delightful piano chords, sharp cymbals, a praising voice. a track for a spiritual elevation, a track to dance until the last second. a track to listen to a million of times.

two of italys most formidable electrosonic programmers, composite profuse & kobol electronics were handpicked by veteran covert intelligence agent wilhelm von erwache to decode the encrypted archives of sismi, the italian secret service, and bring to life these clandestine events onto a 12 inch vinyl disk. on the a side, composite profuse (minimal rome, bunker) uncovers his tracks, blackfriars bridge & patience and charcoals and sets them to an ominous electro soundtrack that his name is synonymous for. the b side sees kobol electronics (minimal rome) deliver two sonic binary programs, code01 & code10 that will devastate both internetworks and dancefloors worldwide.

say the name lil dave and an ingenue of class and aural distinction comes to mind. lil dave channels the far reaches of the soul, all the while effortlessly combining taste, groove, and appeal with todays technology. although his roots are in hip-hop, lil dave is most widely known for his electronic escapades through house, broken beat, brazilia, acid jazz, funk and uk-inspired soul and rare groove. through these genres, lil dave defines his signature sound.
on any given day, lil dave can be found behind the boards producing, in the crates digging, at the beats grinding, at the turntables creating. with demeanor calm and levels tuned, lil dave brings crowds from philly to rome and the world over to a fever pitch, leaving them parched for more. he takes great delight in pleasing his treasured following and making them happy through the power of djing.
whether it be through showcasing rarefied gems on his legendary radio program or providing sonic leaflets as 1/5 of the multifaceted illvibe collective, lil dave has the talent, drive, and the penchant for the art of moving butts.
simply stated, lil dave is the future of the funk!

big! already a massive support by slam, dubfire, mihalis safras, martin eyerer, agoria, abnormal boyz, chloé, dandi & ugo, marc depulse, chris fortier, hans bouffmyhre, angel alanis, flavio lodetti, lucio & pep, frank sonic, greg delon, nahr and so many others!

nice price deal !!! the songs on yachts debut album see mystery lights from the bouncy, burbling you cant take it with you screed the afterlife (which plays like a less spastic companion piece to the mae shis run to your grave) to the roller rink ready vocoder vocals of im in love with a ripper represent yacht at their most poppy. its a collection of stone jams that finds the band finally as hellbent on experimenting and expanding the boundaries of its sonic scope as it is on having fun. built on electronic foundations laser effects, skittering computerized beats, and spacey synth lines (or guitar riffs that have been tuned or distorted to sound like synths) these new songs are giddy with creative freedom while remaining tethered in service of their melodies. the vocal melodies are bright and buoyant, but delivered (by either band member, or in unison) in a chanted, oftentimes detached monotone that plays up the repetitive lyrics mantra like feel and adds a welcome undercurrent of slacker cool to their otherwise sugary optimism.

for almost as long as there have been djs, there have been dj tools: bonus beats, acapellas and ambient overlays have long been the stock in trade of selectors interested in more than simple crossfades from outro to intro. but back at the beginning of 2007, luciano put a new twist on a triedand- true idea with no model no tool. the inaugural release on cadenza split composition, a sublabel of the iconic swiss imprint, no model no tool revitalized the recombinant concept, offering djs a selection of readymade miniatures that worked like sonic building blocks—oddly-shaped bits and pieces designed to be stacked and shuffled to the djs delight.